Rega DAC R Digital to Analog Convertor with Remote

The rest of the DAC-Rs design is entirely familiar and none the worse for that. However, take a look at the dimensions on the spec list and youll see the new model is a few centimetres deeper.

The casework looks pretty much the same as before, an immensely solid-feeling mix of aluminium and steel. Finish is good, though the product has a workmanlike quality to it rather than an aura of luxury.

The DAC-Rs front panel is a simple affair with just three buttons power, input and filter settings. There are six digital filter options three for signals with sampling rates below 48kHz and three for above.

There is no right or wrong choice and, as usual, much depends on the partnering system and personal taste. In our system we alternated between Filter 1 and 2 (these are Linear Phase and Minimum Phase variants) depending on the recording.

Features :
1. Take a look inside and youll find that, revamped USB module aside, much is familiar. Rega has taken great care with the basics optimising signal paths, component quality and the power supply arrangement.
2. A good deal of effort has gone into reducing noise both internally generated and that coming in from the source.
3. The units back panel shows a good range of connections. Alongside the asynchronous USB (which puts the DAC in charge of the timing of information flow not the computer) you'll find two opticals and a pair of coaxs.
4. Another slight change from the first model is the use of a traditional IEC mains lead rather than the less common cloverleaf design originally used.
5. Theres the option of both optical and coax digital outputs, but most people will just leave these unused.
6. The DAC-R comes with a system remote, which can be used for is changing inputs. The multitude of buttons operate other Rega components.

Sound :

Those familiar with the last model will recognise Regas sonic signature instantly. Through either the coax or optical inputs the DAC-R produces a wonderfully appealing sound.

Its a sparkling performance, full of drive, delivering music as varied as Stravinskys The Rite of Spring and Kanye Wests Yeezus with conviction.

We love the Regas expressive dynamics the way it builds the crescendos in the Stravinsky piece while managing to resolve nuances in the quieter sections is impressive. Its brilliantly organised too, keeping all the instrumental strands in place even when the music gets complicated.

When it comes to Yeezus, the Rega is surefooted rhythmically and never short of insight or punch. This is a solid sounding presentation with a good supply of heft and authority.

Rivals such as the Audiolab M-DAC pull ahead when it comes to outright spaciousness and the ability to render a wide-open sound stage.

The Audiolab arguably delivers a more textured sound through the midrange too, giving vocals just a bit more subtlety. But the shortfalls arent serious and the Rega counters with more convincing timing, a firmer grip on bass and a greater dose of dynamic punch.

Change to the USB input and the story isnt quite so positive. We use an Apple MacBook Air loaded with Pure Music software and are surprised at how limited the performance is in relative terms.

Through this input the Rega loses a notable chunk of its insight as well as being nowhere near as thrilling.

Rhythm tracks lose a little snap while dynamics are neutered compared to the sound through the other inputs. Its still a listenable, balanced presentation but the energy and insight heard through the other inputs is reduced.

The same USB versus coax comparison done with the Audiolab M-DAC shows far smaller levels of degradation.