IK Multimedia iRig Pre 2

High-fidelity mic preamp with true +48V phantom power Compact, soft-touch enclosure fits easily in any bag or pocket Works seamlessly with DSLR cameras to achieve better sound Improved functionality with headphone out and volume control Onboard direct monitoring for more precise audio capture Economic power supply using two standard AA batteries
āļŋ2,990
āļŋ2,990
āļĢāļēāļ„āļēāļŠāļĄāļēāļŠāļīāļ
 
āļŋ0
āļĢāļēāļ„āļēāļŠāļĄāļēāļŠāļīāļ
āļŋ0

āļŠāļĩ / Colour
Black
āļˆāļģāļ™āļ§āļ™
āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļīāļ™āļ„āđ‰āļē

Like many of todays musicians, YouTubers and broadcasters, you probably rely on the professional sound quality you get from using an XLR microphone. But for mobile, on-the-go audio and video creation, XLR mics present some challenges. Many require phantom power, and at best, using them also means dragging along a laptop and boxy audio interface to get the mic preamps along with the phantom power you need.

iRig Pre 2 is a pocket-sized mic preamp that lets you easily use your XLR mics to record, perform and stream with your iPhone*, iPad, Android device or DSLR camera. The sequel to the best-selling mobile mic pre of all time, iRig Pre 2 delivers the same professional sound youre accustomed to, while adding direct monitoring, auto-switching wiring for use with digital cameras, and so much more.

Features
  • High-fidelity mic preamp with true +48V phantom power
  • Compact, soft-touch enclosure fits easily in any bag or pocket
  • Works seamlessly with DSLR cameras to achieve better sound
  • Improved functionality with headphone out and volume control
  • Onboard direct monitoring for more precise audio capture
  • Economic power supply using two standard AA batteries


āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒāļ™āļĩāđ‰āļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ„āļļāļāļāļĩāđ‰ āđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāđāļĨāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļ”āļĩāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒāļ‚āļ­āļ‡āļ—āđˆāļēāļ™ āļ—āđˆāļēāļ™āļŠāļēāļĄāļēāļĢāļ–āļ­āđˆāļēāļ™āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāđ„āļ”āđ‰āļ—āļĩāđˆ āļ™āđ‚āļĒāļšāļēāļĒāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļ•āļąāļ§ āđāļĨāļ° āļ™āđ‚āļĒāļšāļēāļĒāļ„āļļāļāļāļĩāđ‰
āđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļŠāļīāļ™āļ„āđ‰āļē
0/4
āļĨāļšāļ—āļąāđ‰āļ‡āļŦāļĄāļ”
āđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļš